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Did you think our presence was limited to the online world? Our art goes beyond digital—it's physical too




In our physical exhibition space, you'll discover pieces by Carleigh Milburn and exclusive artworks from both her parents, workshop participants, and open-call submission participants. Alongside Ms. Milburn's physical pieces, delve into digital artworks exploring decolonization and the seamless integration of Indigenous knowledge, artificial intelligence, and Digital Art Media. 
 

Making Sense of Decolonization 

 

The project acknowledges that Ka’tarohkwi ("a place where there is clay" or "a place where there is limestone") is located on the traditional territories of the Anishinaabek, Haudenosaunee, and Huron-Wendat and serves as a gathering place for many Métis Nation members. This acknowledgment evolves as we deepen our understanding through community engagement and interactions with the land, both physically and digitally.

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Exhibited at four key venues—the Kingston School of Art, The Tett Centre for Creativity and Learning, Modern Fuel, and Union Gallery—these partners represent the four directions and the interconnectedness of Kingston’s artistic communities.

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Born out of a 500 sq ft apartment, this project was made possible by those committed to understanding decolonization. Miigwech—to give thanks, give back, and return the favour to the land, our ancestors, and everyone involved. 

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